Some choice funny-bone prodding and media mulching from these two British wits, whose sampler-centric approach was created under the direct sway of early genre markers like Negativland and John Zorn's Spillane, but who contort these tactics to ends both more beat-scrambled and more effect smeared then their predecessors.
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Tweaky...more cowbell please.
ReplyDelete-PettyV
Outstanding 1994 sounds.
ReplyDeleteWeird- just listening to this the other day. What'd they kill our link? Thinking I might have to link to this one. Cheers from Seattle,
ReplyDelete-PettyV
petty vendetta-just checked and link works fine, so not sure what you were encountering but it's all fine now, it seems.
ReplyDeletenot working. yuck.
ReplyDeleteThis was a really insightful post. I’m glad I read it!
ReplyDelete
ReplyDeleteThis supports reflection rather than judgment.
ReplyDeleteYou explored motivation realistically.
ReplyDeleteThe article feels composed and intentional.
ReplyDeleteYou maintained focus without repetition.
ReplyDeleteThe tone stays approachable.