Operating at a truly blissed peak of acidy fusion experimentation, the way the drifting, autumnal slow bleeds of reverbed trumpet ripple against Terje Rypdal's teased out tendrils of elegiac acid guitar (highly reminiscent of his "Whenever I Seem To Be Far Away" album) is positively wrenching. Germany's Dzyan and Australia's Quasar are two touchstones for this species of astral jazz rock, and all are more than a touch stoned.
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Hey thank. A great up. Looking forward to hearing this! Cheers.
ReplyDeleteAwesome beautiful album. This is the stuff that gave ECM a good name! Thanks a million!!!
ReplyDeleteI would be truly overjoyed if this treasure would magically reappear ...
ReplyDeletePlease re-post this wonderful set!
ReplyDeleteThanks for all beauty!