ANDRE JAUME & MICHEL REDOLFI-HARDSCORE, LP, 1980, FRANCE
Much more known for his aquatic electroacoustic environments including albums for that genre's landmark Ina/GRM imprint, it seems Michel Redolfi's association with the largely free music-focused imprint Hat Hut which issued his first album had the knock-on effect of bringing him together with both sax and clarinet improvisor Jaume (whose CV includes recordings with Joe Mcphee, Raymond Boni and Charlie Mariano) and the passel of improvisors more readily associated with the label during the early 80's, including guitarist Marc Montera and second keyboardist Jacques Diennet, who'd later join forces again for Diennet's 1987 Hat Hut-issued LP boxset Mante, though Hardscore itself wasn't actually issued on that label.
Jaume's compositions comprise side A, Redolfi's side B, though both appear throughout. The Jaume-penned outing on side A is splendid: a rambunctious and splutteringly digestive cartoonish sound clash akin to that deployed by the Un Drame Musical Instantane/GRRR crew that pits Jaume's bass clarinet and tenor sax against playfully gurgling atmospheres from Redolfi which are then cross-hatched and perforated by the fits and spits emitted from guitarist Jean-Marc Montera, second keyboardist Jacques Diennet and vocalist Frank Royon Le Mee. Redolfi's two B-side compositions are things of confounding beauty, stepping away from his understood identity far more than the surges of Michel Waisvisz-like free synth splatter that be brings to bear on Jaume behalf on the A Side. On Naissance Et Agonie De Ma Lampe De Chevet, Redolfi sticks to a background scrim of droning coloration while Frank Royon Le Mee and Jaume use clarinets, sax, delicate acoustic guitar and and vocals of bird-like delicacy and sensitivity to evoke a ritualistic summoning on the spirits, while the title track teases a candy floss of atonal synthetic unguent around Jaume's moist emissions 'til they both explode in a polyphonically saturated and tonally ripe burst of synthetically smeared sax love.
Jaume's compositions comprise side A, Redolfi's side B, though both appear throughout. The Jaume-penned outing on side A is splendid: a rambunctious and splutteringly digestive cartoonish sound clash akin to that deployed by the Un Drame Musical Instantane/GRRR crew that pits Jaume's bass clarinet and tenor sax against playfully gurgling atmospheres from Redolfi which are then cross-hatched and perforated by the fits and spits emitted from guitarist Jean-Marc Montera, second keyboardist Jacques Diennet and vocalist Frank Royon Le Mee. Redolfi's two B-side compositions are things of confounding beauty, stepping away from his understood identity far more than the surges of Michel Waisvisz-like free synth splatter that be brings to bear on Jaume behalf on the A Side. On Naissance Et Agonie De Ma Lampe De Chevet, Redolfi sticks to a background scrim of droning coloration while Frank Royon Le Mee and Jaume use clarinets, sax, delicate acoustic guitar and and vocals of bird-like delicacy and sensitivity to evoke a ritualistic summoning on the spirits, while the title track teases a candy floss of atonal synthetic unguent around Jaume's moist emissions 'til they both explode in a polyphonically saturated and tonally ripe burst of synthetically smeared sax love.
6 comments:
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This is very jolly. Thank you (and thanks for keeping going).
thanks! love andre jaume:
http://madrotter-treasure-hunt.blogspot.com/search/label/andre%20jaume
Trippy, damn trippy. :)
Thanks a lot. Really enjoying this one.
Keep on keepin' on!
Muchas gracias!
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