STEFAN SCHRADER-TRANCEMISSION, TAPE, 1983, GERMANY

Sounding almost like it was made as a demo to secure a contract with Sky Records, the live side A takes the perverted tonal palette of Asmus Tietchen's four album's for the label and applies it to the more naively whimsical compositional thrust of his Sky labelmates Tyndall, while the studio recorded side B tunnels a bit deeper into nebulous territory, arriving not terribly far from the comos-in-a-shoebox vibe of Australia's Violet Lightening.


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