STARS & STIPS-NEVERGREENS, LP, 1976, NETTHERLANDS


Recorded after the disbandment of Supersister (merely one of the greatest bands of the 20th Century) and his brief time in Golden Earring, keyboardist Robert Jan Stips' one-off Star & Stips project may not have had the breathtaking Canterbury-like depth of Supersister (little does), but it's nevertheless frequently quite a fun ride, if a somewhat more sweet tempered and unven one. Things start off with a bang with the giddily percolating "It Takes A Lot Of Time To Let All People Know" (equal parts Pyrolator, Hajime Tachibana and War). Elsewhere, Stips' proceeds to flirt with funk on "Carry On" and it gives off the same enjoyably ludicrous frisson that Gentle Giant's brief fling with reggae did on "Interview", though for many I expect the real meat here will be the 10+ minute title track, a final grandiose and glorious prog hurrah before his decampment for the land of new wave thats expressly in the style of Supersister's "Pudding & Gisteren". The zany genre promiscuity and overarching air of unfettered whimsy (not to mention the occasional dubious foray into flat out cheezy eheese territory) make Wigwam vocalist Jim Pembroke's curio recorded under the moniker Hot Thumbs O'Reilly that nearest antecedent for whats going on here. Whatever it's context or pedigree though, this is a real charmer and one with a slow burn that takes a few spins to fully reveal itself.
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Absolutely brilliant electro meets pseudo disco meets synth pop stuff from early 80s.Warning were one hit wonders with "Why can the bodies fly" which appeared in the soundtrack of a famous 80s TV series. Apart from that the whole LP is much enjoyable electro reminding "Alles ist Gut" era DAF mixed possibly with some more rockish elements.It has some grotesque parts such as screams and most of all this "i'm the beast and i'll eat you all" voice,which makes it in some parts sound very funny!Not to mention this ultra kitsch "STAR WARS" like sleeve!Albeit ,i really love this LP.




Leibstandarte SS was a "side" project of Maurizio Bianchi.In 1981, William Bennett, head of the band Whitehouse and the British Come Org. label, offered Bianchi a record contract, which Bianchi signed unchecked. It was based on a "joke contract" that Steven Stapleton of Nurse With Wound had sketched. The contract assumed all rights to Bianchi's work. After delivery of the tapes Bennett edited-in speeches by Nazi leaders, and instead of the relatively unsensational name MB, it was published under the alias Leibstandarte SS MB, named after the SS unit that worked as bodyguards to Adolf Hitler! The music is harsh electronics sometimes touching the levels of noise. Together with the speeches mentioned create tthe ideal torture/horror soundtrack.Released through Come org in 500 copies and as bootleg in Japan in the 90s in 100 copies edition.






























