Tuesday, July 17, 2007

Eela Craig-One Niter ,LP/CD,1976,Austria

It took EELA CRAIG five years between full blown LPs. They did release a single in 1974 ("Stories"/"Cheese") that totally turned away from the bluesy/jazzy psych and prog of their debut, and was to define their symphonic prog sound of the late '70s (specifically "Hats of Glass" as both were re-recorded for that album). By 1976, they were finally recording for Vertigo Records in Germany, giving them exposure outside of Austria. The band now started going hog-wild on all sorts of equipment. The original LP shows the band members with all their gear on the back cover (an analog keyboard lover's dream come true). There's vocalist/keyboardist Hubert Bognermayr (hard to miss him since he was partially bald, although he was always like that, and he was still in his 20s when "One Niter" came out) with a Hammond organ, two VCS-3 synthesizers, a Wurlitzer electric piano, and a couple keyboards I can't recognize (looks like I see an RMI electric piano, but can't be sure). Bassist Gerhard Englisch is standing next to an amplifier, and two bass guitars are standing by it (including a Rickenbacker). Frank Hueber is seen playing his drum set. Vocalist and guitarist Fritz Riedelberger is seen holding a Gibson "The Les Paul", keyboardist/flautist Hubert Schnauer is seen standing next to a vibraphone, and a custom made Mellotron 400 courtesy of EMI, with a black top, and Harald Zuschrader is seen playing his Mini Moog, and although hard to see, I think it's a Hohner D-6 clavinet (as plent is used throughout the album). This photo is taken in some place in the countryside (I wouldn't mind living), with some overgrown vegetation, and some small valley down below. Love the picture of giant sculpture of a telephone, makes me wonder where that is, and if it's still there? Well, not only was the band going hog-wild on their equipment, it also shows they now had three guys handling keyboard duty as well as the usual other prog rock gear. They were going for a more funky-brand of prog rock, often dominated by the clavinet. "Circles" is a four movement suite that starts off with some really loud and startling Mellotron brass, before things quiet down with some synthesizer and very pleasant flute. Then they go in to a killer jam dominated by clavinet and Moog. Then they go in to a gentle ballad. This is where the vocals first appear, courtesy of guitarist Fritz Riedelberger. Then they go back to the Mellotron and pick up speed. "Loner's Rhyme" is the track Hubert Bognermayer handles the vocal duties. The band goes in to an extended solo, including some great Moog solos and funky clavinet, as well as Hammond organ. "One Niter Medley" is a five movement suite, starts off with synthesizer and Mellotron, before you hear a short song from Bach with an experiment in phasing. After that the band goes in to funky jam, before mellowing out with string synths. "Venezuela" is a nice acoustic song with Fritz Riedelberger handling vocals. "Way Down" starts off with some really nice flute and some droning keyboard in the background. Once again they go in to a funky jam before mellowing out and the vocals kick in. A totally wonderful album to have in your collection.
Ben Miler as reviewed for ProgArchives]
Possibly their best effort .Bognermayer and Zuschrader later formed Blue Chip Orchestra

***************NEW LINK POSTED SEPTEMBER 2012***************

Get it here   



Anonymous said...

I know there are some people who only like the first album they made during 1971 because it's more standard early 70s prog-rock and they hate all of the later 70s stuff when Eela Craig started to use the string-synth. But I really like this later 70s Eela Craig stuff the best. And I think "One Niter" is the best album they made.

Look at the back cover, all the cool gear they using. You have that big white mellotron out there in this field with that sunburst Les Paul sitting up against it. I'm sure today in 2007, that mellotron is probably is probably totally broken and not being used. Those mellotrons, although they were built really good, always broke and it was and still is hard to find someone who knows how to repair and service a mellotron the correct way.

I also like Eela Craig for the simple fact that they were from Austria, which is a great country.


Il Trovatore said...

This album is on the best of her, The synths are superb and all of keyboards are present in majestic presence. Various rhythms are used here, including a simple of jazz-rock and fusion like too space prog.

Fantastic album

Anonymous said...

Thanks for providing this dl! Such a great album

al66 said...

Mediafire link for this album: